The 18i20 is the largest of six Focusrite audio interfaces in the Scarlett lineup, the smallest of which (like the third-gen Focusrite Scarlett 2i2) are some of the best USB-powered portable designs available today. The design of the Focusrite Scarlett 18i20 The Focusrite Scarlett 18i20 is a surprisingly good midrange audio interface with good value for money. While the 18i20 has a few flaws indicating its midrange cost, it can perform at a high level and save you money if you’re willing to bypass the limitations of the Scarlett audio interface. With their similar I / O setups, I was able to make a fairly straightforward comparison of the two units and explore the 18i20’s ability to fit into my existing studio workflow. The two have a lot in common when it comes to workflow and compatibility with external gear, but the Apollo x8 costs more than double the cost of the 18i20. I recently had the opportunity to test a third generation Scarlett 18i20 in my modest home studio by swapping it directly with my everyday recording interface, the Universal Audio Apollo x8. This combination of features and value, along with its overall build quality, makes the Third Generation 18i20 a very attractive option for producers and musicians running new and expanding recording studios working on a limited budget.
Weighing just 7.5 pounds and sporting a sober two-tone finish with streamlined knobs and knobs, the 18i20 sports eight mic preamps and direct compatibility with production-level audio gear, among other highlights.
The Focusrite Scarlett 18i20 is a sleek and rather modest mid-range audio interface that manages to deliver high-end features at half the price of its direct competitors.